Introduction |
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xiii | |
About the Texts |
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xxvii | |
Acknowledgments |
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xxix | |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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3 | (1) |
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San Francisco Night Windows |
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4 | (1) |
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5 | (1) |
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5 | (1) |
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Death Mask of a Young Man |
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6 | (1) |
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6 | (1) |
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Portraits of Three Ladies |
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7 | (1) |
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8 | (1) |
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9 | (2) |
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11 | (2) |
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13 | (1) |
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At the Hour of the Breaking of the Rocks |
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14 | (1) |
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14 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (2) |
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18 | (1) |
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19 | (2) |
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Letter from a Coward to a Hero |
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21 | (2) |
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23 | (1) |
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23 | (1) |
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24 | (1) |
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24 | (1) |
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25 | (1) |
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25 | (1) |
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26 | (3) |
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from Eleven Poems on the Same Theme |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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Original Sin: A Short Story |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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35 | (1) |
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36 | (2) |
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38 | (3) |
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from Selected Poems 1923-1943 |
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The Ballad of Billie Potts |
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41 | (11) |
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Mexico is a Foreign Country: Four Studies in Naturalism |
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52 | (1) |
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The World Comes Galloping: A True Story |
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52 | (1) |
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Small Soldiers with Drum in Large Landscape |
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53 | (1) |
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The Mango on the Mango Tree |
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54 | (3) |
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Jefferson's Opening Monologue |
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57 | (3) |
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60 | (1) |
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61 | (3) |
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Jefferson on the Aftermath |
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64 | (2) |
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66 | (1) |
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The Recognition of Complicity |
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66 | (1) |
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To a Little Girl, One Year Old, in a Ruined Fortress |
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67 | (1) |
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67 | (1) |
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68 | (1) |
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69 | (2) |
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71 | (2) |
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What Was the Promise That Smiled from the Maples at Evening? |
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73 | (1) |
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74 | (3) |
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School Lesson Based on Word of Tragic Death of Entire Gillum Family |
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77 | (1) |
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Summer Storm (Circa 1916), and God's Grace |
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78 | (2) |
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Founding Fathers, Nineteenth-Century Style, Southeast U. S. A. |
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80 | (1) |
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81 | (1) |
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81 | (1) |
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Modification of Landscape |
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82 | (1) |
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83 | (1) |
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Dragon Country: To Jacob Boehme |
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83 | (2) |
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Ballad of a Sweet Dream of Peace |
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85 | (1) |
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And Don't Forget Your Corset Cover, Either |
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85 | (1) |
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85 | (1) |
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Go It, Granny---Go It, Hog! |
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86 | (1) |
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Friends of the Family, or Bowling a Sticky Cricket |
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87 | (1) |
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You Never Knew Her Either, Though You Thought You Did |
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87 | (1) |
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I Guess You Ought to Know Who You Are |
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88 | (1) |
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Rumor Unverified Stop Can You Confirm Stop |
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88 | (1) |
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Lullaby: A Motion like Sleep |
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88 | (3) |
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from You, Emperors, and Others |
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Two Pieces after Suetonius |
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91 | (1) |
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92 | (1) |
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After Night Flight Son Reaches Bedside of Already Unconscious Father, Whose Right Hand Lifts in a Spasmodic Gesture, as Though Trying to Make Contact: 1955 |
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93 | (1) |
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A Dead Language: Circa 1885 |
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94 | (1) |
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94 | (1) |
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In the Turpitude of Time: n.d. |
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95 | (1) |
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96 | (1) |
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Ornithology in a World of Flux |
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97 | (1) |
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97 | (1) |
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97 | (1) |
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In Moonlight, Somewhere, They Are Singing |
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98 | (1) |
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Debate: Question, Quarry, Dream |
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99 | (1) |
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Two Studies in Idealism: Short Survey of American, and Human, History |
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Bear Track Plantation: Shortly after Shiloh |
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99 | (1) |
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Harvard'61: Battle Fatigue |
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100 | (3) |
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103 | (1) |
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104 | (1) |
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105 | (1) |
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105 | (4) |
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What Were You Thinking, Dear Mother? |
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109 | (1) |
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109 | (3) |
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Homage to Emerson, On Night Flight to New York |
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112 | (1) |
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113 | (1) |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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115 | (1) |
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116 | (1) |
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117 | (1) |
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Where the Slow Fig's Purple Sloth |
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118 | (1) |
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118 | (1) |
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119 | (1) |
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Paul Valery Stood on the Cliff And Confronted the Furious Energies of Nature |
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120 | (1) |
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121 | (1) |
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Myth on Mediterranean Beach: Aphrodite as Logos |
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121 | (3) |
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124 | (1) |
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Where Purples Now the Fig |
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124 | (1) |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (3) |
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130 | (1) |
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The Dream He Never Knew the End Of |
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131 | (6) |
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137 | (1) |
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137 | (2) |
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139 | (3) |
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142 | (1) |
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142 | (3) |
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145 | (1) |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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Interjection #1: Caveat |
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148 | (1) |
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I Am Dreaming of a White Christmas: The Natural History of a Vision |
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149 | (7) |
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Interjection #2: I Know a Place Where All is Real |
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156 | (1) |
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Chain Saw at Dawn in Vermont In Time of Drouth |
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156 | (2) |
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158 | (1) |
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158 | (2) |
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160 | (4) |
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Homage to Theodore Dreiser: Psychological Profile |
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164 | (1) |
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165 | (2) |
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Vision Under the October Mountain: A Love Poem |
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167 | (1) |
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168 | (1) |
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168 | (1) |
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Composition in Gold and Red-Gold |
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169 | (1) |
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There's a Grandfather's Clock in the Hall |
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170 | (1) |
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Reading Late at Night, Thermometer Falling |
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171 | (5) |
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Folly on Royal Street before the Raw Face of God |
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176 | (2) |
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Sunset Walk in Thaw-Time in Vermont |
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178 | (2) |
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180 | (1) |
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A Problem in Spatial Composition |
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181 | (2) |
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from Can I See Arcturus From Where I Stand? |
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183 | (1) |
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184 | (1) |
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185 | (1) |
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186 | (1) |
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186 | (1) |
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Old Nigger on One-Mule Cart Encountered Late at Night When Driving Home From Party in the Back Country |
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187 | (4) |
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American Portrait: Old Style |
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191 | (3) |
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Boy Wandering in Simms' Valley |
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194 | (1) |
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195 | (1) |
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Red-Tail Hawk and Pyre of Youth |
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196 | (4) |
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Youth Stares at Minoan Sunset |
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200 | (1) |
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200 | (1) |
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201 | (1) |
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202 | (1) |
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203 | (1) |
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204 | (1) |
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When the Tooth Cracks---Zing! |
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205 | (1) |
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206 | (1) |
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206 | (1) |
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Little Black Heart of the Telephone |
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207 | (1) |
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208 | (1) |
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209 | (1) |
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210 | (2) |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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215 | (2) |
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217 | (1) |
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218 | (1) |
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219 | (1) |
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Youthful Truth-Seeker, Half-Naked, at Night, Running down Beach South of San Francisco |
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220 | (1) |
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Snowshoeing Back to Camp in Gloaming |
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221 | (2) |
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223 | (3) |
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226 | (1) |
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Part of What Might Have Been a Short Story, Almost Forgotten |
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227 | (2) |
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229 | (1) |
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230 | (1) |
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231 | (1) |
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Antinomy: Time and What Happened |
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232 | (1) |
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233 | (2) |
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Passers-By on Snowy Night |
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235 | (2) |
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Chthonian Revelation: A Myth |
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237 | (1) |
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Looking Northward, Aegeanward: Nestlings on Seacliff |
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238 | (1) |
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239 | (2) |
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241 | (1) |
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241 | (2) |
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Vermont Ballad: Change of Season |
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243 | (1) |
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244 | (1) |
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245 | (1) |
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246 | (1) |
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246 | (1) |
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English Cocker: Old and Blind |
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247 | (1) |
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Have You Ever Eaten Stars? |
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248 | (1) |
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249 | (1) |
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250 | (1) |
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from Chief Joseph of the Nez Perce |
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Little Bear Paws and Joseph's Surrender |
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251 | (5) |
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Joseph at Grant's Funeral |
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256 | (3) |
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from Altitudes and Extensions |
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259 | (2) |
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261 | (1) |
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Immortality Over the Dakotas |
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261 | (1) |
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262 | (1) |
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262 | (1) |
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Explosion: Sequence and Simultaneity |
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263 | (1) |
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263 | (1) |
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264 | (1) |
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265 | (1) |
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266 | (1) |
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267 | (1) |
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267 | (1) |
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268 | (1) |
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268 | (1) |
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268 | (1) |
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269 | (1) |
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269 | (1) |
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269 | (1) |
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270 | (1) |
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270 | (1) |
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270 | (1) |
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271 | (1) |
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272 | (1) |
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273 | (1) |
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Why Boy Came to Lonely Place |
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274 | (1) |
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Youthful Picnic Long Ago: Sad Ballad on Box |
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275 | (1) |
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276 | (1) |
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277 | (2) |
Index of Titles and First Lines |
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279 | |