Acknowledgments |
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xv | |
Introduction |
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1 | (1) |
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2 | (7) |
Pronunciation |
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9 | (4) |
Orthography |
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13 | (2) |
Conventions for Transcribing Maya Glyphs |
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15 | (2) |
T-Numbers |
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17 | (2) |
Abbreviations |
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19 | (2) |
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21 | (14) |
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Discovery Phase: Early Attempts |
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22 | (2) |
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24 | (3) |
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27 | (1) |
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The Historical Phase of Decipherment |
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28 | (2) |
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30 | (5) |
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35 | (22) |
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35 | (5) |
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35 | (4) |
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39 | (1) |
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Types of Glyphs: Carved Versus Painted Forms |
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40 | (1) |
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Types of Glyphs: Functional Forms |
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41 | (4) |
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41 | (2) |
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43 | (2) |
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Types of Glyphs: Iconographic Forms |
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45 | (2) |
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Symbolic or Geometric Variants |
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45 | (1) |
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46 | (1) |
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47 | (1) |
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Types of Glyphs: Grammatical Forms |
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47 | (4) |
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47 | (2) |
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49 | (1) |
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49 | (1) |
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50 | (1) |
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51 | (1) |
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52 | (5) |
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Introduction to the Calendars: Numbers, Initial Series, and Long Count |
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57 | (14) |
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57 | (7) |
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58 | (1) |
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Head-Variant and Full-Figure Numbers |
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58 | (5) |
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63 | (1) |
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64 | (1) |
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64 | (2) |
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66 | (4) |
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66 | (1) |
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66 | (2) |
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68 | (1) |
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68 | (1) |
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68 | (2) |
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70 | (1) |
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71 | (18) |
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74 | (6) |
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80 | (5) |
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How the Calendar Round Works |
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85 | (2) |
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The Initial Series: Putting Everything Together |
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87 | (2) |
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The Supplementary and Other Series |
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89 | (16) |
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89 | (5) |
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94 | (4) |
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95 | (1) |
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96 | (2) |
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98 | (1) |
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98 | (2) |
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100 | (1) |
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101 | (4) |
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Period Endings and Distance Numbers |
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105 | (14) |
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105 | (6) |
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111 | (5) |
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116 | (1) |
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Distance Numbers as Initial Series |
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116 | (2) |
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118 | (1) |
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Phoneticism in the Maya Script |
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119 | (18) |
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120 | (2) |
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122 | (2) |
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The Principle of Synharmony |
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124 | (2) |
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126 | (4) |
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130 | (1) |
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130 | (1) |
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131 | (3) |
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The Language of the Glyphs |
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134 | (1) |
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135 | (2) |
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Verbs, Verbal Inflection, and Grammatical Elements |
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137 | (24) |
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138 | (10) |
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138 | (2) |
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140 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (1) |
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145 | (1) |
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146 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (2) |
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Transitive Completive Verbs |
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148 | (1) |
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Intransitive Completive Verbs |
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149 | (1) |
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149 | (1) |
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150 | (1) |
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150 | (1) |
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150 | (1) |
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151 | (1) |
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151 | (10) |
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161 | (36) |
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162 | (1) |
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163 | (2) |
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165 | (5) |
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House, Monument, and Object Dedications |
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170 | (5) |
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175 | (1) |
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176 | (1) |
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177 | (7) |
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``Witness,'' ``Open,'' ``Close,'' ``Enter,'' ``Give,'' ``Take,'' ``Carry,'' ``Turn, Rotate,'' ``Face Down, Doubled Over, Fold,'' ``Hurl,'' ``Mold, Form in Clay,'' ``Create, Awaken,'' ``Bathe or Water,'' ``Adorn,'' ``Cut Up,'' ``Eat,'' ``Wrap,'' ``Rest, End, Finish'' |
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184 | (1) |
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185 | (1) |
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Bloodletting and Sacrifice |
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186 | (2) |
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188 | (6) |
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General War-Related Terms |
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189 | (1) |
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190 | (1) |
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191 | (1) |
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191 | (1) |
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192 | (1) |
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Star-Shell, Star-Earth, and Star-Emblem Glyph |
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192 | (1) |
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193 | (1) |
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194 | (1) |
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195 | (2) |
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197 | (22) |
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198 | (3) |
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199 | (1) |
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200 | (1) |
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201 | (11) |
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Ajaw, K'ul Ajaw, K'inich, Kalomte', B'akab', Numbered K'atun Glyphs, ``Successor'' Glyphs, Ch'ajom, Penis Title, ``He the Youthful,'' ``Warrior,'' ``Captor of,'' ``Count of Captives'' Epithet, ``First Staff,'' Ch'ok, Sajal, Itz'at, Aj K'ujun, Ordinal-Numbered Titles |
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212 | (3) |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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214 | (1) |
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Artists' Signatures and Titles |
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215 | (4) |
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219 | (10) |
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219 | (5) |
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220 | (2) |
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222 | (2) |
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224 | (1) |
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Siblings and Other Relatives |
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224 | (1) |
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225 | (1) |
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225 | (3) |
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U Kab', ``Under the Authority Of'' |
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226 | (1) |
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227 | (1) |
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228 | (1) |
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228 | (1) |
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229 | (14) |
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Directional and Color Glyphs |
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229 | (2) |
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231 | (4) |
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235 | (1) |
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235 | (3) |
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238 | (1) |
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Monuments and Other Objects |
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238 | (2) |
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240 | (1) |
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241 | (2) |
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243 | (14) |
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``The Heavenly God, the Earthly God, All the Gods'' |
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243 | (2) |
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245 | (2) |
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247 | (1) |
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248 | (2) |
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The Pantheon of Major Gods |
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250 | (7) |
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Itz'amna, God of Gods, Jun Nal Ye, the Maize God, K'inich Ajaw, the Sun God, The Hero Twins, The Palenque Triad, K'awil, God of Royal Bloodlines, Chaak, the Rain God, Ik' K'u, the Wind God, The Paddler Gods |
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The Primary Standard Sequence |
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257 | (14) |
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258 | (3) |
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The Introductory or Presentation Phrase |
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261 | (1) |
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262 | (1) |
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263 | (2) |
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265 | (2) |
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267 | (2) |
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269 | (2) |
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Discourse and Structural Analysis: Putting It All Together |
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271 | (24) |
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The Discourse Structure of Yaxchilan Stela 11 |
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272 | (1) |
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Multiple Episodes and Events |
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272 | (4) |
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Establishing an Event Line |
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276 | (1) |
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Discourse Structure on Piedras Negras Panel 3 |
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277 | (18) |
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Episode 1, Event 1, Part 1 |
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278 | (5) |
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Episode 1, Event 1, Part 2 |
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283 | (1) |
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Episode 1, Event 2, Part 1 |
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284 | (1) |
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Episode 1, Event 2, Part 2 |
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284 | (1) |
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Episode 1, Event 2, Part 3 |
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284 | (4) |
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288 | (1) |
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288 | (2) |
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290 | (1) |
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291 | (2) |
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Summary of Episodes and Events On Piedras Negras Panel 3 |
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293 | (1) |
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Chronology of Piedras Negras Panel 3 |
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294 | (1) |
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295 | (13) |
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Techniques of Structural and Comparative Analysis |
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295 | (2) |
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Advanced Analysis: Calculations Into the Extreme Past |
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297 | (5) |
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297 | (2) |
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299 | (3) |
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302 | (1) |
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The Crack in the Turtle Shell |
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302 | (1) |
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Problems in Decipherment: Looking Forward |
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302 | (4) |
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How to Teach Yourself In Greater Depth |
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306 | (2) |
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Yaxchilan Stela 11, Front, Lower Glyph Panel |
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308 | (1) |
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Appendix I: Sample Texts and Practice Inscriptions |
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309 | (16) |
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309 | (7) |
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316 | (9) |
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Appendix II: A Guide to Hieroglyphic Resources |
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325 | (6) |
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325 | (2) |
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325 | (1) |
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326 | (1) |
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327 | (1) |
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328 | (1) |
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329 | (2) |
Bibliography |
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331 | (8) |
List of Illustrations |
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339 | (12) |
List of Plates |
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351 | (2) |
Index |
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353 | |