Preface |
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xix | |
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1 | (22) |
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2 | (8) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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4 | (1) |
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4 | (1) |
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4 | (1) |
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5 | (1) |
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5 | (1) |
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Strategies for Succeeding in Writing Courses |
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6 | (1) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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9 | (1) |
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10 | (13) |
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10 | (1) |
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11 | (1) |
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11 | (4) |
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Strategies for Increasing Critical Thinking |
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12 | (1) |
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12 | (3) |
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15 | (1) |
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15 | (2) |
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Moving from Topic to Thesis |
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15 | (1) |
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16 | (1) |
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16 | (1) |
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17 | (1) |
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17 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (1) |
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18 | (1) |
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19 | (1) |
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19 | (1) |
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19 | (1) |
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20 | (1) |
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20 | (1) |
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20 | (1) |
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21 | (1) |
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21 | (1) |
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21 | (1) |
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22 | (1) |
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Part 2 Developing Paragraphs |
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23 | (144) |
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Developing Topic Sentences and Controlling Ideas |
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24 | (16) |
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24 | (1) |
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25 | (1) |
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26 | (1) |
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What Are You Trying to Say? |
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27 | (1) |
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27 | (1) |
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Topic Sentences and Controlling Ideas |
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28 | (3) |
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29 | (1) |
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29 | (2) |
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Paragraphs without Topic Sentences |
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31 | (2) |
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33 | (1) |
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33 | (3) |
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Using Paragraph Breaks in Dialogue |
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36 | (1) |
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37 | (1) |
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38 | (1) |
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38 | (1) |
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38 | (1) |
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39 | (1) |
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39 | (1) |
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Supporting Topic Sentences with Details |
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40 | (15) |
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40 | (1) |
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What Are Supporting Details? |
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41 | (1) |
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41 | (1) |
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What Are You Trying to Say? |
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41 | (1) |
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42 | (1) |
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Steps to Building Effective Paragraphs |
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42 | (4) |
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46 | (4) |
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Observations and Personal Experience |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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48 | (1) |
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49 | (1) |
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50 | (2) |
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52 | (1) |
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53 | (1) |
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53 | (1) |
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53 | (1) |
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53 | (1) |
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54 | (1) |
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54 | (1) |
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Developing Paragraphs Using Description |
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55 | (18) |
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55 | (1) |
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56 | (1) |
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What Are You Trying to Say? |
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56 | (1) |
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57 | (1) |
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Creating Dominant Impressions |
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57 | (1) |
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58 | (2) |
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Improving Dominant Impressions and Supporting Detail |
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60 | (3) |
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61 | (1) |
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Putting Paragraphs Together |
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62 | (1) |
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63 | (5) |
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``Gaza Diary,'' Chris Hedges |
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63 | (1) |
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Critical Thinking and Discussion |
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64 | (1) |
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``My Ecumenical Father,'' Jose Antonio Burciaga |
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65 | (2) |
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Critical Thinking and Discussion |
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67 | (1) |
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Steps to Writing a Descriptive Paragraph |
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68 | (1) |
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68 | (2) |
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70 | (1) |
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71 | (1) |
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71 | (1) |
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71 | (1) |
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72 | (1) |
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72 | (1) |
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Developing Paragraphs Using Narration |
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73 | (20) |
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73 | (1) |
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74 | (1) |
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What Are You Trying to Say? |
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74 | (1) |
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75 | (1) |
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Writing Narration: Making a Point |
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75 | (2) |
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77 | (1) |
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Writing Narration: Using Transitions |
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77 | (1) |
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Writing Narration: Using Dialogue |
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78 | (4) |
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79 | (1) |
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Putting Paragraphs Together |
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80 | (2) |
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82 | (6) |
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``Tickets to Nowhere,'' Andy Rooney |
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82 | (2) |
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Critical Thinking and Discussion |
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84 | (1) |
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``The Fender Bender,'' Ramon ``Tianguis'' Perez |
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85 | (2) |
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Critical Thinking and Discussion |
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87 | (1) |
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Steps to Writing a Narrative Paragraph |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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91 | (1) |
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92 | (1) |
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92 | (1) |
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92 | (1) |
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Developing Paragraphs Using Example |
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93 | (19) |
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93 | (1) |
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94 | (1) |
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What Are You Trying to Say? |
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94 | (1) |
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95 | (1) |
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Writing Example Paragraphs |
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95 | (1) |
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96 | (1) |
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Using Hypothetical Examples |
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97 | (1) |
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Writing Examples: Using Transitions |
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98 | (1) |
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98 | (1) |
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99 | (3) |
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100 | (1) |
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Putting Paragraphs Together |
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101 | (1) |
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102 | (5) |
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``The Company Man,'' Ellen Goodman |
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102 | (2) |
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Critical Thinking and Discussion |
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104 | (1) |
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``Odd Enders,'' Larry Orenstein |
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105 | (2) |
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Critical Thinking and Discussion |
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107 | (1) |
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Steps to Writing an Example Paragraph |
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107 | (1) |
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108 | (1) |
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109 | (1) |
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109 | (1) |
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110 | (1) |
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110 | (1) |
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110 | (1) |
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111 | (1) |
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Developing Paragraphs Using Comparison and Contrast |
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112 | (16) |
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112 | (1) |
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What Are Comparison and Contrast? |
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113 | (1) |
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What Are You Trying to Say? |
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113 | (1) |
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114 | (1) |
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The Purposes of Comparison and Contrast |
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114 | (2) |
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114 | (1) |
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115 | (1) |
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Organizing Comparison and Contrast Paragraphs |
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116 | (1) |
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116 | (1) |
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117 | (1) |
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117 | (3) |
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118 | (1) |
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Putting Paragraphs Together |
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119 | (1) |
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120 | (5) |
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``Chinese Space, American Space,'' Yi-Fu Tuan |
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120 | (2) |
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Critical Thinking and Discussion |
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122 | (1) |
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``Neat People vs. Sloppy People,'' Suzanne Britt |
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122 | (2) |
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Critical Thinking and Discussion |
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124 | (1) |
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Steps to Writing a Comparison and Contrast Paragraph |
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125 | (1) |
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125 | (1) |
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126 | (1) |
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127 | (1) |
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127 | (1) |
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127 | (1) |
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Developing Paragraphs Using Cause and Effect |
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128 | (17) |
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128 | (1) |
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What Is Cause and Effect? |
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129 | (1) |
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What Are You Trying to Say? |
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129 | (1) |
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130 | (1) |
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Cause and Effect: Critical Thinking |
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130 | (2) |
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132 | (3) |
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133 | (1) |
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Putting Paragraphs Together |
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134 | (1) |
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135 | (6) |
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``Why We Crave Horror Movies,'' Stephen King |
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135 | (2) |
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Critical Thinking and Discussion |
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137 | (1) |
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``I Refuse to Live in Fear,'' Diana Bletter |
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138 | (2) |
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Critical Thinking and Discussion |
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140 | (1) |
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Steps to Writing a Cause and Effect Paragraph |
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141 | (1) |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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143 | (1) |
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143 | (1) |
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144 | (1) |
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144 | (1) |
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145 | (9) |
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145 | (1) |
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146 | (1) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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Developing Topic Sentences in Outlines |
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148 | (3) |
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151 | (1) |
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152 | (1) |
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152 | (1) |
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152 | (1) |
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153 | (1) |
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153 | (1) |
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154 | (13) |
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154 | (1) |
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155 | (2) |
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Strategies for Writing E-mail |
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155 | (2) |
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157 | (3) |
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Strategies for Writing Resumes |
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157 | (3) |
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160 | (3) |
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Strategies for Writing Cover Letters |
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161 | (2) |
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163 | (1) |
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164 | (1) |
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165 | (1) |
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165 | (1) |
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165 | (2) |
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167 | (104) |
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Recognizing the Power of Words |
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168 | (14) |
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168 | (1) |
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169 | (1) |
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169 | (1) |
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What Are You Trying to Say? |
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169 | (1) |
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170 | (1) |
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170 | (2) |
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172 | (1) |
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173 | (1) |
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173 | (1) |
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173 | (2) |
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175 | (1) |
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Use Appropriate Level of Diction |
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175 | (1) |
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176 | (1) |
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177 | (1) |
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178 | (1) |
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179 | (1) |
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179 | (1) |
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180 | (1) |
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181 | (1) |
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181 | (1) |
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182 | (16) |
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182 | (1) |
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183 | (1) |
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183 | (1) |
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What Are You Trying to Say? |
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184 | (1) |
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184 | (1) |
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184 | (1) |
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185 | (9) |
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186 | (1) |
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187 | (2) |
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Locating ``Hidden Subjects'' |
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189 | (1) |
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190 | (1) |
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191 | (3) |
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Building Sentences: Independent and Dependent Clauses |
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194 | (1) |
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195 | (1) |
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195 | (1) |
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196 | (1) |
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196 | (1) |
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196 | (1) |
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197 | (1) |
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197 | (1) |
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197 | (1) |
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198 | (12) |
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198 | (2) |
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200 | (1) |
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200 | (1) |
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What Are You Trying to Say? |
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201 | (1) |
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202 | (1) |
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203 | (4) |
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207 | (1) |
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207 | (1) |
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208 | (1) |
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208 | (1) |
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208 | (1) |
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209 | (1) |
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209 | (1) |
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209 | (1) |
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Building Sentences Using Coordination and Subordination |
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210 | (18) |
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210 | (1) |
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211 | (1) |
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What Are Coordination and Subordination? |
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212 | (1) |
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What Are You Trying to Say? |
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213 | (1) |
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213 | (1) |
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213 | (1) |
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214 | (5) |
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Coordinating Conjunctions |
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215 | (1) |
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215 | (4) |
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219 | (1) |
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219 | (4) |
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What Are You Trying to Say? |
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223 | (1) |
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224 | (1) |
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224 | (1) |
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224 | (2) |
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226 | (1) |
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226 | (1) |
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227 | (1) |
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227 | (1) |
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Repairing Run-ons and Comma Splices |
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228 | (16) |
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228 | (1) |
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229 | (1) |
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230 | (1) |
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What Are You Trying to Say? |
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230 | (1) |
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231 | (1) |
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Run-ons: Fused Sentences and Comma Splices |
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231 | (1) |
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231 | (1) |
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231 | (1) |
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232 | (1) |
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Repairing Run-ons: Minor Repairs |
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233 | (1) |
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Critical Thinking: Run-ons Needing Major Repairs |
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234 | (1) |
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Methods of Repairing Run-ons |
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235 | (1) |
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236 | (4) |
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240 | (1) |
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241 | (1) |
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241 | (1) |
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242 | (1) |
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242 | (1) |
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243 | (1) |
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243 | (1) |
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Correcting Dangling and Misplaced Modifiers |
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244 | (15) |
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244 | (1) |
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245 | (1) |
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245 | (1) |
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245 | (1) |
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What Are You Trying to Say? |
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246 | (1) |
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247 | (1) |
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Avoiding Dangling Modifiers |
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247 | (1) |
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Testing for Dangling Modifiers |
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248 | (4) |
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252 | (3) |
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255 | (1) |
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256 | (1) |
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256 | (1) |
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256 | (1) |
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257 | (1) |
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257 | (1) |
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258 | (1) |
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Understanding Parallelism |
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259 | (12) |
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259 | (1) |
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260 | (1) |
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260 | (1) |
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What Are You Trying to Say? |
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261 | (1) |
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261 | (1) |
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Overcoming Parallelism Errors |
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262 | (5) |
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267 | (1) |
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268 | (1) |
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268 | (1) |
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268 | (1) |
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268 | (1) |
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269 | (1) |
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269 | (2) |
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Part 4 Understanding Grammar |
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271 | (86) |
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272 | (16) |
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272 | (1) |
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What Is Subject-Verb Agreement? |
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273 | (1) |
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273 | (1) |
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What Are You Trying to Say? |
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273 | (1) |
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274 | (1) |
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Grammar Choices and Meaning |
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274 | (2) |
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Special Nouns and Pronouns |
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276 | (8) |
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276 | (1) |
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277 | (2) |
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``Either . . . Or'' Subjects |
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279 | (1) |
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280 | (1) |
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Relative Pronouns: Who, Which, and That |
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281 | (3) |
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284 | (1) |
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284 | (1) |
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285 | (1) |
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285 | (1) |
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286 | (1) |
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286 | (1) |
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286 | (2) |
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Verb Tense, Mood, and Voice |
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288 | (19) |
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288 | (1) |
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289 | (1) |
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What Are You Trying to Say? |
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289 | (1) |
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290 | (1) |
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290 | (1) |
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290 | (2) |
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Regular and Irregular Verbs |
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292 | (4) |
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Problem Verbs: Lie/Lay, Rise/Raise, Set/Sit |
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296 | (2) |
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298 | (1) |
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299 | (1) |
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300 | (1) |
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Grammar Choices and Meaning |
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300 | (2) |
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302 | (1) |
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Could Have, Must Have, Should Have, Would Have |
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302 | (1) |
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303 | (1) |
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303 | (1) |
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303 | (1) |
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304 | (1) |
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304 | (1) |
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305 | (1) |
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305 | (2) |
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Pronoun Reference, Agreement, and Case |
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307 | (19) |
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307 | (1) |
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308 | (1) |
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308 | (1) |
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What Are You Trying to Say? |
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308 | (1) |
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309 | (1) |
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309 | (1) |
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310 | (1) |
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311 | (2) |
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Using They without an Antecedent |
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313 | (1) |
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314 | (1) |
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Singular and Plural Nouns and Pronouns |
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314 | (1) |
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315 | (2) |
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Methods of Avoiding Sexism |
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315 | (1) |
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Using They to Avoid Sexism |
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316 | (1) |
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Avoiding Shifts in Point of View |
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317 | (1) |
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318 | (4) |
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318 | (1) |
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319 | (1) |
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319 | (1) |
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320 | (1) |
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320 | (1) |
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320 | (1) |
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This and That, These and Those |
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321 | (1) |
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321 | (1) |
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321 | (1) |
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322 | (1) |
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323 | (1) |
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323 | (1) |
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323 | (1) |
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324 | (1) |
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324 | (1) |
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325 | (1) |
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326 | (18) |
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326 | (1) |
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What Are Adjectives and Adverbs? |
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327 | (1) |
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327 | (1) |
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What Are You Trying to Say? |
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328 | (1) |
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328 | (1) |
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328 | (3) |
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331 | (1) |
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331 | (2) |
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Grammar Choices and Meaning |
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333 | (2) |
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334 | (1) |
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335 | (2) |
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Avoiding Double Comparisons |
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337 | (1) |
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337 | (2) |
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339 | (1) |
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340 | (1) |
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340 | (1) |
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340 | (1) |
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341 | (1) |
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342 | (1) |
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342 | (2) |
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344 | (13) |
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344 | (1) |
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345 | (1) |
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346 | (1) |
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What Are You Trying to Say? |
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346 | (1) |
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347 | (2) |
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Commonly Confused Prepositions |
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349 | (1) |
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350 | (1) |
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351 | (3) |
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354 | (1) |
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354 | (1) |
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354 | (1) |
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355 | (1) |
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355 | (1) |
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355 | (2) |
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Part 5 Using Punctuation and Mechanics |
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357 | (68) |
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Using Commas and Semicolons |
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358 | (19) |
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358 | (1) |
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What Are Commas and Semicolons? |
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359 | (1) |
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359 | (1) |
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What Are You Trying to Say? |
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359 | (1) |
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360 | (1) |
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360 | (9) |
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361 | (8) |
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Avoiding Unnecessary Commas |
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369 | (1) |
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Guide to Eliminating Unnecessary Commas |
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369 | (1) |
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370 | (2) |
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372 | (1) |
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373 | (1) |
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374 | (1) |
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374 | (1) |
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374 | (1) |
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374 | (1) |
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375 | (2) |
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Using Other Marks of Punctuation |
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377 | (18) |
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377 | (1) |
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What Are the Other Marks of Punctuation? |
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378 | (1) |
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378 | (1) |
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What Are You Trying to Say? |
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378 | (1) |
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379 | (1) |
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379 | (4) |
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383 | (2) |
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385 | (1) |
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386 | (1) |
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386 | (1) |
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387 | (1) |
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387 | (1) |
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388 | (1) |
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389 | (1) |
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389 | (1) |
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389 | (1) |
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389 | (1) |
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390 | (1) |
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391 | (1) |
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392 | (1) |
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392 | (1) |
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392 | (1) |
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392 | (1) |
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393 | (2) |
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395 | (10) |
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395 | (1) |
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396 | (1) |
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396 | (1) |
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What Are You Trying to Say? |
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396 | (1) |
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397 | (1) |
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397 | (5) |
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402 | (1) |
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402 | (1) |
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402 | (1) |
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402 | (1) |
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403 | (1) |
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403 | (1) |
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403 | (1) |
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404 | (1) |
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Correcting Spelling Errors |
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405 | (20) |
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405 | (1) |
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406 | (1) |
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What Are You Trying to Say? |
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407 | (1) |
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407 | (1) |
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Steps to Improving Spelling |
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408 | (1) |
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Commonly Misspelled Words |
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408 | (1) |
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Forty Commonly Misspelled Words |
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409 | (1) |
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409 | (3) |
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Ten Most Commonly Confused Words |
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410 | (2) |
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412 | (3) |
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415 | (5) |
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415 | (1) |
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416 | (4) |
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420 | (1) |
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420 | (1) |
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421 | (1) |
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421 | (1) |
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421 | (1) |
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422 | (1) |
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422 | (1) |
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422 | (2) |
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424 | (1) |
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425 | (36) |
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427 | (2) |
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427 | (1) |
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427 | (1) |
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428 | (1) |
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429 | (3) |
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429 | (1) |
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430 | (2) |
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432 | (1) |
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432 | (1) |
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433 | (1) |
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433 | (2) |
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435 | (4) |
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435 | (1) |
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436 | (2) |
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438 | (1) |
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439 | (1) |
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439 | (3) |
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439 | (1) |
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440 | (2) |
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442 | (1) |
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443 | (3) |
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446 | (1) |
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446 | (1) |
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447 | (1) |
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448 | (1) |
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448 | (1) |
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448 | (1) |
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449 | (1) |
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449 | (1) |
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449 | (1) |
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450 | (1) |
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450 | (1) |
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451 | (1) |
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451 | (1) |
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451 | (2) |
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453 | (6) |
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453 | (3) |
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Commonly Misspelled Words |
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456 | (3) |
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Two Hundred Topics for College Writing |
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459 | (2) |
Answers |
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461 | (26) |
Credits |
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487 | (2) |
Index |
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489 | |