The Drama Handbook A Guide to Reading Plays

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Format: Paperback
Pub. Date: 2002-04-04
Publisher(s): Oxford University Press
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Summary

This book is a compact guide to reading plays, and the art and techniqueof drama. Ranging from classical Greece to modern World Drama and performance,but with particular emphasis on the playwrights (including Shakespeare) who aremost widely taught and performed, the Handbook covers the whole range ofliterary, aesthetic, and political questions attending drama, from theatredesigns and acting style to audience composition and editing printed texts.Successive sections give clear and detailed information about the conventions ofplaytexts, the histories of the genre, performance spaces, and personnel, aswell as current theatre practices. Each chapter also provides an appropriatetechnical and critical vocabulary, conveniently gathered in glossaries. A finalsection deals with drama essays and exams, and includes samples of essays bystudents. Lucid, practical, and thorough, this book is an invaluable resourcefor anyone who wants to improve their understanding and appreciation of thedramatic genre.

Author Biography

John Lennard teaches at the Universities of Cambridge and Notre Dame, and for the British-American Drama Academy in London Mary Luckhurst is Lecturer in Modern Drama at the University of York

Table of Contents

Figures and display boxes
ix
Acknowledgements x
Abbreviations xi
Introduction 1(6)
I PERFORMANCE, NOTATION, TEXT 7(40)
Performance: process and the ephemeral
9(6)
Notation: documentation, layout, and the preserved
15(7)
Text I: editing and reception
22(15)
Text II: the process of reading
37(10)
II READING STRUCTURES 47(70)
What is genre?
49(7)
Classical genres: tragedy, comedy, satyr-plays, and epic
56(12)
Religious genres: the liturgy, Mysteries, and Moralities
68(8)
Renaissance genres: Commedia dell'arte, tragicomedy, masque, and opera
76(13)
Eighteenth-and nineteenth-century genres: burlesque, sentimental and gothic drama, pantomime, melodrama, music-hall, farce, and well-made plays
89(8)
Social genres: political theatre, agit-prop, documentary drama, and epic drama
97(8)
The impact of technology: light, sound, radio-and TV-plays, and film-genres
105(12)
III DEFINING ARCHITECTURES 117(38)
The study
119(4)
Rehearsal and administrative spaces
123(6)
The stage and auditorium
129(18)
The spaces of the book trade: the scriptorium, printshop, publishing house, bookshop, and library
147(8)
IV PERSONNEL IN PROCESS 155(88)
Playwrights
157(9)
Directors
166(7)
Actors
173(13)
Dramaturgs and literary managers
186(7)
Designers
193(9)
Production staff, stage-crew, and front-of-house
202(5)
Censors
207(6)
Audiences
213(9)
Critics
222(9)
Editors
231(7)
Teachers and readers
238(5)
V THEATRE TODAY 243(32)
The play-text since the 1950s
245(16)
Challenges to the play-text
261(8)
Alternatives to the play-text
269(6)
VI EXAM CONDITIONS 275(42)
Practical criticism
277(6)
Period and special papers
283(10)
Sample answers
293(24)
Glossary 317(56)
Select bibliography and further reading 373(30)
Index of persons 403(8)
Index of plays 411

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