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Figures and display boxes |
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|
ix | |
| Acknowledgements |
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x | |
| Abbreviations |
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xi | |
| Introduction |
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1 | (6) |
| I PERFORMANCE, NOTATION, TEXT |
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7 | (40) |
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Performance: process and the ephemeral |
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9 | (6) |
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Notation: documentation, layout, and the preserved |
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15 | (7) |
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Text I: editing and reception |
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22 | (15) |
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Text II: the process of reading |
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37 | (10) |
| II READING STRUCTURES |
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47 | (70) |
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49 | (7) |
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Classical genres: tragedy, comedy, satyr-plays, and epic |
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56 | (12) |
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Religious genres: the liturgy, Mysteries, and Moralities |
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68 | (8) |
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Renaissance genres: Commedia dell'arte, tragicomedy, masque, and opera |
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76 | (13) |
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Eighteenth-and nineteenth-century genres: burlesque, sentimental and gothic drama, pantomime, melodrama, music-hall, farce, and well-made plays |
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|
89 | (8) |
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Social genres: political theatre, agit-prop, documentary drama, and epic drama |
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97 | (8) |
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The impact of technology: light, sound, radio-and TV-plays, and film-genres |
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105 | (12) |
| III DEFINING ARCHITECTURES |
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117 | (38) |
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119 | (4) |
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Rehearsal and administrative spaces |
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123 | (6) |
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129 | (18) |
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The spaces of the book trade: the scriptorium, printshop, publishing house, bookshop, and library |
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147 | (8) |
| IV PERSONNEL IN PROCESS |
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155 | (88) |
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157 | (9) |
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166 | (7) |
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173 | (13) |
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Dramaturgs and literary managers |
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186 | (7) |
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193 | (9) |
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Production staff, stage-crew, and front-of-house |
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202 | (5) |
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207 | (6) |
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213 | (9) |
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222 | (9) |
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231 | (7) |
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238 | (5) |
| V THEATRE TODAY |
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243 | (32) |
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The play-text since the 1950s |
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245 | (16) |
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Challenges to the play-text |
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261 | (8) |
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Alternatives to the play-text |
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269 | (6) |
| VI EXAM CONDITIONS |
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275 | (42) |
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277 | (6) |
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Period and special papers |
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|
283 | (10) |
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293 | (24) |
| Glossary |
|
317 | (56) |
| Select bibliography and further reading |
|
373 | (30) |
| Index of persons |
|
403 | (8) |
| Index of plays |
|
411 | |