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ix | |
| Acknowledgements |
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xiii | |
| An Introduction |
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1 | (8) |
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9 | (13) |
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Cities and Sanctuaries, Art and Archaeology: Roots in the Past |
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22 | (31) |
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A history of pottery studies |
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22 | (3) |
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Typology and classification |
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25 | (1) |
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Art and judgements of style |
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26 | (4) |
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Pottery and the connoisseurs |
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30 | (7) |
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Interlude: Sherlock Holmes, the doctor Watson and John Beazley |
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37 | (4) |
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Iconographers and iconologists |
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41 | (2) |
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Imperial collections and the big digs |
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43 | (6) |
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Ancient history, the historical event and descriptive narrative |
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49 | (3) |
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52 | (1) |
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Greek Myths and Metanarratives: From Winckelmann to Bernal |
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53 | (39) |
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Collectors and antiquarians |
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53 | (2) |
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55 | (1) |
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Johann Joachim Winckelmann and Greek art |
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56 | (3) |
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Constituting the art object |
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59 | (1) |
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Vickers and Gill and the critique of ceramic art |
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59 | (6) |
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65 | (3) |
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German academics and the idealisation of Greece |
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68 | (1) |
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Classicism, Romanticism and neo-Classicism |
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68 | (6) |
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74 | (5) |
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Modern Greeks into the past |
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79 | (2) |
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Hellenism and cultural politics |
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81 | (1) |
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Anthropology and European origins |
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82 | (4) |
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Orientalism and Bernal's critique of the constitution of the Greek |
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86 | (5) |
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91 | (1) |
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Scholarship and Discourse |
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92 | (27) |
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92 | (1) |
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93 | (4) |
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Communities and institutions |
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97 | (2) |
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99 | (4) |
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103 | (1) |
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Interlude: Classical rhetoric - a theory of discourse |
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104 | (4) |
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Ian Morris and 'Postmodernist Classical Archaeology' |
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108 | (3) |
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Technologies of cultural production: rhetoric, winning friends and trust |
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111 | (5) |
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116 | (2) |
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118 | (1) |
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Rudiments of a Social Archaeology |
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119 | (37) |
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119 | (4) |
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Ideologies of archaeology |
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123 | (1) |
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Commentary and critique: objects and the character of archaeological interpretation |
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123 | (5) |
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The need for a social archaeology of Classical Greece |
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128 | (1) |
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Approaches to social archaeology |
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128 | (1) |
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Pottery and social context |
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129 | (3) |
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The Snodgrass school of Iron Age studies |
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132 | (11) |
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Processual Classical archaeology: some summary points |
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143 | (1) |
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The category of the decorative: on meaning and material culture |
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144 | (5) |
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John Berger, Peter Fuller and lessons of idealist art history |
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149 | (5) |
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Understanding the archaeological and a prehistory of the classical past |
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154 | (2) |
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Some Topics and Issues in a Social Archaeology of Classical Greece |
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156 | (13) |
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156 | (3) |
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Economic prehistory/archaeology |
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159 | (1) |
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159 | (4) |
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163 | (2) |
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165 | (1) |
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Space, survey and landscape |
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165 | (3) |
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168 | (1) |
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Archaeology, Classics and Contemporary Culture |
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169 | (14) |
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Nietzsche and the Classics |
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173 | (4) |
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Nietzsche and effective history |
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177 | (1) |
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Archaeological roles: vital histories for the present |
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178 | (1) |
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Actuality: the time of archaeology |
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179 | (2) |
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Classical heritage and consuming interests |
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181 | (2) |
| Select bibliography and suggested further reading |
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183 | (10) |
| Index |
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193 | |
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