The Betrothed

Italy’s greatest novel and a masterpiece of world literature, The Betrothed chronicles the unforgettable romance of Renzo and Lucia, who endure tyranny, war, famine, and plague to be together.

Published in 1827 but set two centuries earlier, against the tumultuous backdrop of seventeenth-century Lombardy during the Thirty Years’ War, The Betrothed is the story of two peasant lovers who want nothing more than to marry. Their region of northern Italy is under Spanish occupation, and when the vicious Spaniard Don Rodrigo blocks their union in an attempt to take Lucia for himself, the couple must struggle to persevere against his plots—which include false charges against Renzo and the kidnapping of Lucia by a robber baron called the Unnamed—while beset by the hazards of war, bread riots, and a terrifying outbreak of bubonic plague. First and foremost a love story, the novel also weaves issues of faith, justice, power, and truth into a sweeping epic in the tradition of Ivanhoe, Les Misérables, and War and Peace. Groundbreakingly populist in its day and hugely influential to succeeding generations, Alessandro Manzoni’s masterwork has long been considered one of Italy’s national treasures.

Translated by Archibald Colquhoun

ALESSANDRO MANZONI, a revered poet, novelist, and statesman, was born in Milan in 1785 and died in 1873. His masterpiece, I promessi sposi--The Betrothed--was groundbreaking for replacing conventional antiquated rhetorical forms with expressive and accessible prose. His innovative style won him a broad audience and powerfully influenced the Italian writers who succeeded him.

About the Introducer: JONATHAN KEATES's works include the short story collection Allegro Postillions and the novel The Stranger's Gallery. He is the biographer of Handel, Purcell, and Stendhal, and is well known as a reviewer and writer on Italian culture and history. He teaches at the City of London School and is a Fellow of the Royal Society of Literature.

About the Translator:  ARCHIBALD COLQUHOUN (1912-1964) studied at Oxford and the Royal College of Art and went to Italy to paint in the 1930s. In 1940 he became acting director of the British Institute in Naples and served as an intelligence officer during the war. He translated Giuseppi di Lampedusa's masterpiece, The Leopard, for Everyman's, and in 1954 wrote a biography of Manzoni.