| from Ceremony Latin (1964) |
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xi | |
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Story is a novella-length work in which stories interweave in a diamond-shaped structure so that at its center fourteen stories are going on simultaneously. Each section is given a title that is a form of story-telling |
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1 | (5) |
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from Poetry and early poems |
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6 | (1) |
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7 | (1) |
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8 | (1) |
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9 | (1) |
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10 | (1) |
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Francois Villon Follows the Thin Lion |
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11 | (1) |
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12 | (1) |
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13 | (1) |
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14 | (2) |
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16 | (1) |
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17 | (2) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (2) |
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24 | (2) |
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Sonnet: ``name address date'' |
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26 | (1) |
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X On Page 50 at half-inch intervals |
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27 | (2) |
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The Red Rose Doesn't, The Rose Is Red Does |
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29 | (1) |
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30 | (2) |
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The Way to Keep Going in Antarctica |
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32 | (2) |
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Moving is a prose book written while living for three seasons in the woods of the Northeast, its intention being to write only when it seemed absolutely necessary. Moving includes contributions from Ed, Rosemary, Grace, Paul, Mr. Murphy, Tom, Larry, Lewis, Hannah, Neil, two Annes, two Kathleens, Jonathan, Milt and others |
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34 | (3) |
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Memory is a journal of the month of July 1971 based on notes and writings, and a series of 1,116 slides (36 pictures shot every day). Memory was commissioned by Holly Solomon and exhibited in 1972 in her 98 Greene Street gallery in the form of a 4' x 48' chronological display of snapshots made from the slides, accompanied by an eight-hour tape of the text |
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37 | (5) |
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Studying Hunger consists of two lectures culled from the 400-page Studying Hunger Journals, an experiment in recording states of consciousness |
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42 | (5) |
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from The Golden Book of Words |
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47 | (2) |
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Lookin Like Areas of Kansas |
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49 | (2) |
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51 | (2) |
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53 | (2) |
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The End of the Human Reign on Bashan Hill |
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55 | (2) |
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57 | (3) |
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60 | (1) |
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61 | (2) |
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Midwinter Day is a 120-page work in prose and poetry written on December 22, 1978, from notes, tapes, photographs, and memory. It divides the day into six parts: dreams, morning, noontime, afternoon, evening, and night |
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63 | (5) |
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from The Desires of Mothers to Please Others in Letters |
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The Desires of Mothers to Please Others in Letters is a series of letters never sent, written to unidentified friends, acquaintances, political figures, and poets over a nine-month period and ending with the birth of a baby. It is dedicated to Margaret DeCoursey |
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68 | (4) |
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Utopia is a traditional utopia dedicated to Grace Murphy and written with the help of Bob Holman, Bill Berkson, Huang O, Rosemary Mayer, Anne Waldman, Rochelle Kraut, Hannah Weiner, Joe Brainard, Charles Bernstein, John Fisk, Lorna Smedman, Lewis Warsh, Anne Rower, Greg Masters, Peggy DeCoursey, and others. It contains a utopian copyright, an Imprimatur from the Archbishop of Nowhere, and an index |
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72 | (5) |
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Concluding Unscientific Postscript |
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77 | (2) |
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Watching the Complex Train-Track Changes |
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79 | (2) |
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81 | (2) |
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83 | (1) |
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84 | (3) |
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Sonnets is a series of seventy-two poems based on that form and dedicated to Rosemary Mayer |
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Sonnet: ``Love is a babe . . .'' |
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87 | (1) |
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Sonnet: ``It would be nice . . .'' |
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88 | (1) |
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89 | (1) |
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Holding the Thought of Love |
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90 | (1) |
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Sonnet: ``I am supposed to think . . .'' |
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91 | (1) |
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92 | (1) |
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Sonnet: ``You jerk you didn't call me . . .'' |
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93 | (1) |
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Sonnet: ``Other than what's gone on . . .'' |
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94 | (1) |
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95 | (1) |
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96 | (1) |
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97 | (1) |
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Incidents Report Sonnet #2 |
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98 | (1) |
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Incidents Report Sonnet #5 |
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99 | (1) |
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100 | (1) |
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Sonnet We Are Ordinary C'mere |
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101 | (1) |
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Sonnet: ``To perform for you . . .'' |
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102 | (1) |
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Sonnet: ``Beauty of songs . . .'' |
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103 | (1) |
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Incandescent War Poem Sonnet |
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104 | (1) |
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105 | (1) |
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Sonnet: ``You read about Uranus . . .'' |
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106 | (1) |
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107 | (1) |
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from The Formal Field of Kissing |
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The Formal Field of Kissing is a book of translations, imitations, and epigrams from the work of ancient Greek and Latin poets, especially Catullus |
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108 | (1) |
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109 | (1) |
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After Catullus and Horace |
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110 | (1) |
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Large Imitation Classical Lune |
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111 | (2) |
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Hendecasyllables on Catullus #33 |
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113 | (1) |
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114 | (3) |
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Two from the Greek Anthology |
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117 | (1) |
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The Incorporation of Sophia's Cereal |
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118 | (1) |
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119 | (1) |
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120 | (1) |
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``First turn to me . . .'' |
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121 | (3) |
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I Am Told I Must Bomb the Tappan Zee Bridge |
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124 | (1) |
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125 | (1) |
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Sonnet: ``Suck me my virgin . . .'' |
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126 | (1) |
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Marie You Must Meet Cristina at the Music School Tomorrow and Not at Her Home |
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127 | (2) |
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I Want to Talk Now about Reason, Riddle |
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129 | (1) |
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I Wish You Were Up Late, Gerard |
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130 | (1) |
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131 | (1) |
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Death Is a Cambric Fabric |
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132 | (2) |
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Sonnet: ``a little tiny poem . . .'' |
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134 | (1) |
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135 | (2) |
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Sonnet: ``Swell is the attribute . . .'' |
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137 | (1) |
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138 | (1) |
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139 | (3) |
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142 | (2) |
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144 | (1) |
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Experimentation in Rubrics |
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145 | (1) |
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146 | (1) |
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Marie Makes Fun of Me at the Shore |
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147 | (1) |
| Acknowledgments |
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148 | |
Other versions by this Author